Speed Grapher: Vol. 5 (Review)
Monday, 9th November 2009, 14:30

Page 1 Page 2

Introduction
Tatsumi Saiga was an acclaimed war photographer back in the Economic Bubble War. It was a war that further deepened the divide between the haves and have nots, the rich got richer, and the poor became doormats. Tokyo is the city where the rich walk over the poor with impunity, and it’s Tokyo where Saiga now practices his trade, no longer able to leave the country. But he’s suited to this decadent capital, a man who can only be aroused when he has his camera in hand. He works as a freelance photographer, when he isn’t being the plaything of Detective Ginza, a woman who needs a gun in her hand to get sexual pleasure. You’d think that they would be perfectly suited to each other, but Saiga wants more, and his pursuit of a killer story leads him into the depraved underworld, a secret club under Roppongi. It’s here where he encounters a teenaged goddess named Kagura; it’s here where he obtains an amazing new power. Now when he looks through the lens of his camera and clicks the shutter, whatever he snaps explodes.

Four more degenerate episodes are here on this MVM disc.

17. The Reaper and the Nouveau Riche
A young boy lived with his sister Yui and his wealthy family, happy and secure, until the day his family ran up a debt, and the debtors came calling. Their parents took the easy way out, which left the children responsible for the balance. Separated and sold into servitude until they worked it off, all that the boy had left of his sister was a broken music box. First he became a rich man’s plaything, then he was shipped off into a warzone, turned into a child soldier. He grew up, under fire, and he was just about to complete his final mission, when the roof fell in, literally. He was the sole survivor of a unit that went in to investigate a genetics facility, and an experimental virus infected him, before the facility was destroyed in an explosion. Torn apart, he was found by the researchers, who literally put him back together. Finally free of servitude, and looking for vengeance against the tainted society that had enslaved him, he headed back to Tokyo, and began his climb up the ladder of power. He took the name of a sword he first used to take over a Yakuza group, Suitengu.

18. Fates and Fists
Suitengu’s plan is about to come to fruition, the money’s rolling in, The Goddess’ Tears drug is saturating the market, and the rich and powerful of the nation are in his pocket. Except there are a couple of loose ends. Two of those loose ends, Kagura and Saiga are finally about to escape the country and head to Russia, when military vessels surround the fishing trawler they are on. It’s not Suitengu though. This time they have been ‘caught’ by Seiji Ochiai, one of the few independent minded and anti-corruption politicians in the Diet. He’s arranged for a safe place for the pair to hide, and promises them that their medical conditions will be treated. He just needs them to testify against the Prime Minister and Suitengu in parliament. Saiga’s torn between his need to protect Kagura, and ending this thing once and for all.

19. Lips and Lies
Things are getting complicated. Saiga has a decision to make, and it will mean lying to Kagura. He’s willing to testify, but he wants to protect the girl by sending her to safety. As she insists on staying with him, it’s making things awkward. Before that can happen though, Seiji wants him to meet with the White Hawks Society, a group of likeminded people who wish to clean up the government. It’s getting beyond simple testimony, so Saiga escapes the embassy for a while to drink his way through the problem. At the bar, he happens to meet a young man named Joe with a similar dilemma, and sharing their problems helps make up his mind. The next morning, Saiga goes ahead to the meeting, while Kagura is whisked away to safety. Or so they think. In fact, there is a traitor in the White Hawks, and soon Kagura is captured, and Saiga’s running for his life.

20. Good Vibrations
The White Hawks have been slaughtered, and following Saiga into the subways under Tokyo is a Euphorian with a lethal talent with sound. His camera is having no effect, and worse, Saiga’s vision is becoming impaired. Meanwhile, Ginza has been tracking Saiga again, and she comes across the slaughter of the White Hawks. But lying in the carnage is a vital piece of evidence, a book listing all the exclusive members of the Roppongi Club. One of the names in the book takes her to the front door of her own Chief Commissioner.

Picture
Speed Grapher gets a 1.78:1 anamorphic transfer, and it’s par for the course for anime on DVD. You have your NTSC-PAL conversion issues, although not too many of them, the image is clear and sharp throughout, and the animation is smooth and detailed. It’s a Gonzo product, so expect smart looking characters, a blending of traditional 2D and 3D CGI, and plenty of bang for your buck. In fact the characters in Speed Grapher are a little more edgy than usual for Gonzo, certainly suiting the decadent nature of the story, and it seems the animators went to dominatrix school for some of the get ups.

Sound
Audio-wise, you have the option of DD 5.1 English, and DD 2.0 Japanese, along with translated subtitles and a signs only track. I sampled the English, and it’s pretty much like every other Funimation dub, and yes, Monica Rial is in it. You can expect a little added profanity if you want to partake of that surround sound option, but as usual I opted for the Japanese audio, and had no complaints, apart from a couple of dubious English accents, and the clichéd effeminate guy. The biggest annoyance is the absence of the original Duran Duran theme tune.

Next Page