A Couple Of Crunchyroll Charms
With a lull in anime review discs over the holidays, I’ve been catching up a little with my online streaming. Of course being this far behind means that I have the benefit of marathoning series, rather than waiting for each subsequent episode on a weekly schedule. That means that many of you will already be aware of my ‘latest’ discoveries. For everyone else though, a couple of shows that are well worth checking out on Crunchyroll are Gintama and Gosick.
Gosick (rhymes with Gothic) is a hidden gem of a show. Its premise of a doll-like, haughty princess in a tower, possessing a towering intellect, solving mysteries with the aid of her put-upon and unlikely champion, early in the twentieth century, bears a lot in common with last year’s similar title The Mystic Archives of Dantalian. But Gosick towers above it in execution. Its storytelling, world building and characters are absolutely enthralling, taking some of the current anime clichés, but creating something fresh and exciting. Fans were overjoyed when Bandai licensed it for US release, and then heartbroken when Bandai folded. Since then, Australia’s Madman Entertainment have reaffirmed their commitment to releasing it, sub only if necessary, while Funimation have been sniffing out fan opinion on the show in the US, and may just pick it up and release it anyway. You can’t keep a show like Gosick down for long.
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GOSICK takes place in 1924 in a small, made-up European country of Sauville. It centers on Kazuya Kujo, the third son of a Japanese Imperial soldier, who is a transfer student at St. Marguerite Academy and Victorique, a mysterious yet beautiful and brilliant girl who never attends class and spends her days reading the entire content of the library or solving mysteries that even detectives can't solve. They meet at St. Marguerite Academy, where urban legends and horror stories are all the rage.
I have also started climbing up Mount Gintama. Gintama is one of those long-running shonen shows that just keep going and going. We in the UK have experienced Naruto and Bleach, and Fairy Tail will be coming in a few months as well. But there are countless others like One Piece, Case Closed, Urusei Yatsura, Eyeshield 21, and Dragonball Z that we haven’t seen, and given the UK market aren’t likely to see anytime soon on home video formats. This is where online streaming services really come into their own, and one long running show that Crunchyroll has been streaming for years is Gintama. But Gintama is different from Naruto and Bleach, in that it’s a comedy, and a wacky, bizarre comedy at that. It’s set in an alternate Shogun era period where aliens invaded Japan instead of Commodore Perry, and suddenly everyone’s living in a high tech world. The story focuses on the Odd Jobs company formed by a fallen samurai named Gintoki, and the thirty-odd episodes I have seen so far are hard to categorise when it comes to their stories, other than they are hilarious more often than not. With the series at 244 episodes and counting, I can envisage my funny bone being tickled on a regular basis.
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In the early 17th century, Japan adopted strict isolation policies and severed almost all ties with foreign countries. In 1853, the US fleet commanded by Admiral Perry forced the doors open, leading to a modernization of the nation's sociopolitical systems and the eventual fall of the Shogunate. The samurai regime ended its life with the imperial restoration in 1868. That's what history tells, but in Gintama, that's not what happens. Instead of the US fleet, the country is stormed by spaceships coming from four corners of the universe and soon we see it occupied by extraterrestrials. The Shogunate has become a puppet of alien occupation armies. All samurais have been disarmed and reduced to temp workers with no skills who just try to make ends meet. Gintama is a story of a handyman named Gintoki, a samurai with no respect for rules set by the invaders, who's ready to take any job to survive. He and his gang, however, are also among the very few who have not forgotten the morale of a swordsman. Wherever they go, all they do is to create troubles. Troubles that they of course try to solve, but in reality...
Both shows are currently streaming on Crunchyroll and are well worth checking out.




It Never Rains, But It Pours: Part 1
I had thought 2008 was anime’s Horrible Anus, the year when everything fell apart, when the bubble burst and companies dropped like flies. Well 2012 is turning out to be a Horribler Anus, as the New Year’s removal of Bandai and Beez from the landscape was apparently just the beginning.
Last week it emerged that Media Blasters, a fairly small but popular distributor in the US was downsizing, cutting 60% of its workforce. That leaves a core base of some 5 or 6 employees, while those who were mostly responsible for media production have been let go. There was a positive spin immediately placed on this by CEO John Sirabella, stating that the intention was to rehire these people on a freelance basis. Media Blasters then strongly indicated their intentions to continue in the industry by announcing the Blu-ray release of Bakuman, and the licence rescue of fan-favourite Fushigi Yugi.
To counter this optimism, retailers have slashed the prices on much of Media Blasters’ back catalogue, which is never a good sign. Either way, just as with Bandai and Beez, if you want a Media Blasters title, this is not the time to hesitate in opening your wallet.
News at ANN
It Never Rains, But It Pours: Part 2
To make matters worse, the biggest player in the US anime distribution business, Funimation, announced last week that they are suing the second biggest player in the US anime distribution business, Sentai Filmworks and the other related companies that were born of the ADV collapse, for $8 million. It all relates to how the collapse of ADV played out, the role of ARM and Sojitz, and the claim that as well as inheriting the licenses that ADV lost back then, Funimation also inherited a role as creditor, and that ADV’s debt to ARM is now owed to Funimation. It’s a legal morass that I don’t have any hope of understanding, but my feeling is that when it gets to this stage, the only winners will be the lawyers, the highest paid of which will determine right and wrong, and the losers will be the anime fans.
But you also have to wonder just how dire the situation is for the anime industry, as it seems to this layman that only if sufficient cash isn’t coming from your customers, would you resort to preying on your rivals.
Also in the UK, Manga Entertainment license and release titles from both Sentai and Funimation. I have a vision of Manga as the little child who has to choose between mummy and daddy in the divorce.
News at ANN
Manga Entertainment’s Forthcoming Titles Announced
Otaku News have been interviewing various figures in the anime industry, last week they spoke to Andrew Partridge of Kazé, and there is an interview forthcoming with Jerome Mazandarani of Manga Entertainment. But ahead of posting that interview online, they’ve reported on some of the titles that were mentioned in that interview, although most have been announced or hinted at previously on Twitter and Facebook and the like. This time there are concrete dates for some, and explicit confirmation that Manga have Clannad, and Clannad After Story lined up.
Angel Beats 2-disc DVD and BD releases (in conjunction with Siren Visual/Sentai) End of April
Baka & Test (no date given)
Clannad 3-disc DVD (May/June) 4 volumes
Fairy Tale (March/May/August/September is tentative)
Hetalia World Series (July/Early August)
Hetalia Paint It White (June 18)
Ghost In The Shell: Solid State Society (May) DVD/Blu Ray Double Play with more extras added as well as extras from Bandai US release.
Strike Witches Season 2 (No date given)
Read more details at Otaku News.
Crunchyroll Goes High(er) Definition
For those of you with a subscription, you may already know that Crunchyroll have started streaming selected shows at a full 1080p resolution. This is from materials supplied to them by the Japanese licensors, not upscales of the 720p material that they have been streaming to date, although it has to be said that there isn’t a lot of television anime that is animated at a native 1080p.

